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The delicate hexagonal motif constructing the mesh gives both space and fragility to the work an almost graceful lack of substance which can be seen in Dragons Egg. The first room I entered was installation work of intricate mesh of recycled copper wires placed on linear bar stands. (Fu was a participating Irish Wave Artist over the years it was in operation.) I made my way to Fu Xiao Tongs exhibition “Limitless” opening at Chambers Fine Art. Having such space and peace certainly made it very accessible and enjoyable.Īfter jumping on a bus heading a bit further North of 798, I often get confused with the buses to Caochangdi and safely ended up on the 418. There was also a note that visitors needed to agree not to linger too long to allow other visitors a chance.
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The magical realism of selected vegetation and those thick unexpected blobs of light, when looked at from the correct distance can burn the back of the retina.Ĭabins and Canoes was the first exhibition I had come across where there was a limit of 20 people at a time in the huge gallery space. Known for his particular blend of abstraction and figuration, it is the scenes in nature that thrill. Some works were like greeting old friends, also loved to see some of the smaller simple oil sketches where his process begins. Two weeks later I finally make it to Faurschou Foundation. I couldn’t make the opening as my own show in Dong Yue was opening the following day. I have been waiting for a Doig show here in Beijing for a while, it finally arrived. It was a perfect weather day on Saturday April 22nd and began the day with a trip to 798.